8/7/2023 0 Comments Cowboy bebop live action cast![]() LGBT Film Festival Loses Corporate Sponsor’s Public Support Ahead of 2023 Pride Programming: “Parts of Our Country Don’t Want Us Raising Our Voices” All the filler builds to a big climax, thank goodness, but that doesn’t mean it wasn’t filler.Let’s Get Loud! 7 Movies to Stream on Netflix in Celebration of Pride Month 2023ħ LGBTQ+ TV Shows to Stream in Honor of Pride Month 2023 A staggering amount of time across the whole first season gets spent on storylines which could easily have been conveyed in an episode or two. The villainous world of “Cowboy Bebop” is nowhere near as inviting, with off-puttingly arch performances from various bad guys and awkwardly stretched out subplots involving criminal drug-peddling schemes and organized crime alliances. Daniela Pineda’s energetic approach to Faye Valentine is a genuinely entertaining new take on the character, and Mustafa Shakir takes some time to settle into the role of Jet - his repetitive speeches in the first few episodes don’t help - but eventually his open-hearted rendition wins us over. ‘Red Notice’ Film Review: Dwayne Johnson, Gal Gadot and Ryan Reynolds Star in a Caper Far Too Pleased With ItselfĮspecially when at the center of those shenanigans you’ve got a star like John Cho, who’s perfectly cast as Spike Spiegel, and effortlessly embodies his lithe physicality, dry humor and wounded soul. But if you can get past the way the new “Bebop” torpedoes its dramatic ambitions, and if you can get past the sometimes disappointing VFX and the mostly-dreary color palette, then you’ll find that there are a heck of a lot worse things to be than “mildly enjoyable.” It’s just a bunch of mildly enjoyable sci-fi crime shenanigans. They’re portrayed here as thoroughly redeemable heroes who’ve made bad choices, some worse than others. They aren’t deeply damaged people who only demonstrate their humanity in spite of themselves. The live-action renditions of Spike, Jet and Faye - and most of the familiar supporting characters who appear in one form or another - are now lovable dorks straight out of the Marvel Cinematic Universe mass production plant. The heaping spoonfuls of quasi-witty dialogue ladled on top of “Cowboy Bebop” go a long way toward making the show friendly and cuddly, robbing the characters of much-needed gravitas whenever the plots get heavy and their backstories turn epic. Lots and lots and lots of tedious, Whedonesque banter. ![]() And if you’re wondering how they turned half-hour anime episodes into hour-long live-action episodes, the answer involves padded subplots, arbitrary plot changes, and - most importantly - banter. The majority of the live-action “Cowboy Bebop” episodes, or “Sessions,” are loose remakes of the original anime storylines about ecoterrorists, killer clown assassins and kidnapped dogs. Every episode brings them closer together and every episode threatens to tear them apart if all their secrets are revealed. Every episode finds the crew on the hunt for a new criminal with a quirky, usually deadly scheme. Over the course of the first season, Spike and Jet pick up a few new crew members, including an amnesiac bounty hunter named Faye Valentine, played by Daniela Pineda (“Jurassic World: Fallen Kingdom”), and an adorable Welsh corgi named Ein. They tool around the solar system in a rundown hunk of junk called Bebop, capturing wanted criminals on one planet or another but - as often as not - they cause enough damage in the process that they can barely afford to buy lunch afterward. John Cho stars as Spike Spiegel, an ex-criminal turned bounty hunter, and his partner is Jet Black, an ex-cop played by Mustafa Shakir (“Luke Cage”). That they almost get away with it is impressive. They’re trying their damnedest to make all these subpar sci-fi aesthetics and padded storylines work. This live-action remake series fails to capture the magic of the original but does - eventually, after nearly all of its episodes have been exhausted - give the ensemble cast enough time to win us over. Sadly, one of those imitators is Netflix’s “Cowboy Bebop,” developed by André Nemec (“Without Remorse”). Hell Yes, It’s the First Trailer for Netflix’s Live-Action ‘Cowboy Bebop’ (Video)
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